Showing posts with label voodoo fest. Show all posts
Showing posts with label voodoo fest. Show all posts

Sunday, March 1, 2009

NolaFunk Lagniappe

Antoinette K-Doe's funeral was an appropriately colorful farewell




Antoinette K-Doe's funeral procession on Saturday included the mannequin of her late husband, Ernie K-Doe, which rode in a mule-drawn carriage.

In her final appearance, Antoinette K-Doe sold out St. James Methodist Church.

By the start of Mrs. K-Doe's funeral service Saturday morning, the neighborhood church on Ursulines Avenue had exceeded its standing-room-only capacity. A police officer turned away late arrivals, who pooled on the sidewalk to await the subsequent second-line.

Mrs. K-Doe, the widow of New Orleans rhythm & blues singer Ernie K-Doe and his equal in the annals of eccentricity, died of a heart attack early Mardi Gras morning.


Antoinette K-Doe, RIP. Remembering a great New Orleanian.

Antoinette K-Doe, the widow of New Orleans music legend Ernie K-Doe, died Tuesday of a heart attack. In 2006, Josh Levin wrote about Ernie's run for New Orleans mayor from beyond the grave, Antoinette's return to New Orleans after Hurricane Katrina, and her hopes of reopening the Mother-In-Law Lounge—the bar and music venue bearing the name of her late husband's famous song. (The Mother-In-Law Lounge did reopen later in 2006 to much jubilation.) The original article is reprinted below.




Rally of the Dolls: Separated by a generation — and now, by 2,000 miles — friends Antoinette K-Doe and Miriam Batiste Reed have teamed Up to bring the Baby Doll tradition back to Mardi Gras.

BY NOAH BONAPARTE PAIS

(L-R) K-Dolls Geannie Thomas, Yvonne Wise and Felice.

Even by New Orleans standards, the jazz funeral for Lloyd Washington was a singular event. First, there was the date: Oct. 24, 2004, or four months after Washington, a singer and member of the final Ink Spots lineup, succumbed to cancer at 83. (Unable to provide a proper burial for her husband, Hazel Washington had kept his ashes safe in a small urn enshrined at the Ernie K-Doe Mother-in-Law Lounge on Claiborne Avenue.)

  Second, there was the setting: the Musicians' Tomb at St. Louis Cemetery No. 1, a space in the Barbarin family mausoleum specially designated for local artists and their spouses. In a colorful procession that included two comrades' vehicles, Antoinette K-Doe's pink limousine and Geannie Thomas' red pickup truck, one of the last survivors of the legendary R&B group became the first musician laid to rest in the historic tomb.




NPR's Chronicling Black New Orleans' Untold Story

The streets of Faubourg Treme were once home to an untold history of New Orleans — a story that has now been rekindled in a new documentary.

Tony Cox talks with resident and journalist Lolis Eric Elie about Faubourg Treme: The Untold Story of Black New Orleans



Video: Bonerama - Big Fine Woman

Here's the video debut of New Orleans funksters Bonerama. This video for Big Fine Woman comes from PartyGras2009.com - a site anchored by PBS and Bonerama that will feature new music in the form of live shows, a single of a brand new song, or an archival release from back in the day every Tuesday in 2009…





Free Hot 8 Brass Band Download

Exclusive track – available from Tues 24th Feb for one week only!

Tuesday 24th February 2009 is Mardi Gras, and to celebrate, we’ve got an exclusive cut from Hot 8 Brass Band to give away absolutely FREE. Appropriately entitled “Steamin’ Blues”, this track is only available for one week, so click here to download this amazing joint from New Orleans’ finest, and get into the Mardi Gras spirit.


As Mardi Gras Rages, New Orleans' Music Scene Struggles to Recover

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The history of musicians dealing with the storm's aftermath has been a mixed one. In the year after Katrina, benefits around the country helped musicians get home, get instruments, and get back to work. Then again, at Voodoo 2006, Duran Duran's Simon LeBon fretted from the stage over the devastation he saw on the drive from the airport — a corridor that looked more or less as it had pre-storm — and Wayne Coyne stopped the Flaming Lips' set to instruct New Orleanians on the importance of helping each other, perhaps mowing each others' lawns. Then and now, unmown lawns have been the least of the city's worries.


The VOODOO EXPERIENCE will return to Halloween weekend this October 30, 31 and November 1 in New Orleans’ City Park. This marks the third VOODOO EXPERIENCE that will coincide exactly with the Halloween weekend in a city that is as known for its magic as much as it is for its music.


"Every Mardi Gras is the Best Mardi Gras Ever"

(A quote from Pete Fountain years ago in an interview with New Orleans journalist Rosemary James.)

And so it has always been, with every Mardi Gras being the one that is the favorite in your mind, tops in your memory. And so it is this year. Some impressions;


Mardi Gras in The Treme


North Side Skull and Bones Krewe

Many years ago I lived in Brazil. And no matter how much acai or cafezinhos or palm oil I consumed, I could never ever keep up with my Brazilian friends and their partying - and I didn't even have a job during that time. I came to the realization at that point that to live in Brazil, one must develop Brazilian party muscles. This means learning how to survive on little to no sleep in pursuit of the party, knowing all hangover cures and at what point to activate which one, and attending each and every important celebratory function because, God forbid, folks raise the subject of 'that parade' or 'that party' and you can't add to the conversation because you weren't there.




Groovesape's photos from Blue Nile features the Andrews Family Band, Troy "Trombone Shorty" Andrews, James "12" Andrews, Revert "Peanut" Andrews, Glen Andrews, Glen David Andrews, Theresa Andersson, and My Name is John Michael.






Groovescape's photos from the Maple Leaf features the 101 Runners, Big Chief Monk Boudreaux, and Billy Iuso.






Monday, November 17, 2008

NolaFunk Lagniappe

Royal Fingerbowl reunites for a live recording as frontman Alex McMurray plans another solo project

Royal Fingerbowl coalesced around the Frenchmen Street music scene in 1995 to showcase McMurray as a Tom Waits/Leon Redbone/"Ice Cream Man"-era David Lee Roth composite singing evocative tales of down-and-out life in New Orleans. Barely a year later, having rarely performed outside Orleans Parish, the band signed with TVT Records, the New York label that broke Nine Inch Nails.

The trio -- McMurray, drummer Kevin O'Day and bassist Andy Wolf -- released its TVT debut, "Happy Birthday, Sabo!," in August 1997. By the time "Greyhound Afternoons" came out three years later, Nuccio occupied the drum chair; Perrine would soon take over on bass.




Home of the Groove's "Chuck Carbo: Good Things Come To Those Who Wait"


The Spiders. L-R: Chick Carbo, Joe Maxon, Oliver Howard, Chuck Carbo, Matthew West

New Orleans funk fans and collectors are probably most familiar with Chuck Carbo from the one-off 45 sides he made for and with Eddie Bo in 1969 that have appeared on several compilations; but, as seriously funky as it was, that record really didn't provide a great showcase for someone who is considered by many, including me, to be one of the city's best and most under-appreciated R&B vocalists. Although Carbo's career spanned over five decades, he put his talent on the side for many years to support his family with day jobs and did not have much of a solo singing career until late in his life. I have had this post simmering since Chuck's death at 82 this past July. My perpetual state of project overload often keeps me from getting to HOTG posting in a timely manner; but, things do eventually come around for those who wait. If you're still with me, let's take a listen to some Chuck Carbo cuts with good grooves as well as vocals, and give some props to another great one who's now gone.

Live: Quintron and Miss Pussycat are Swamp Buggy Badasses at Santos




Quintron and Miss Pussycat
Santos Party House

Monday's main attraction was sexy cartoon lady Miss Pussycat, the hands behind VBS's puppet “soap-opera” Trixie and the Tree Trunks, and her organ-taming, jam-skating life-partner Quintron. Two nights before, Pussycat opened an art show at Live With Animals in Williamsburg; Monday was the official release party for Too Thirsty 4 Love, Quintron's month-old, 11-song bogland bonanza that features him on the cover with fangs, a python, and a grinning older woman in a see-through top. He and Andrew W.K. are apparently old pals—this was the New Orleans couple's first local headlining performance in years—and neither one gave a shit that tomorrow the rest of us had to work. “Do you realize how many people around the world would give anything to be in Manhattan?” screamed Andrew, who these days uses shampoo and wears a wedding ring. “Let's enjoy this moment!”


Fats Domino Documentary To Air On PBS

When Katrina swamped his Lower 9th Ward neighborhood and 80 percent of his hometown with floodwater, Domino lost his home, three pianos, dozens of gold and platinum records and other memorabilia. So, when the 80-year-old singer took the stage at a popular New Orleans club for the first time after the 2005 storm, fans cheered and cried as he bopped the upbeat strains of "I'm Walkin"' and crooned "Ain't That a Shame," along with a host of other hits. Footage from that appearance in May 2007, his first and last since Katrina, is the basis of a new documentary, "Fats Domino: Walkin' Back to New Orleans," that will air on public broadcasting stations over the next few years.


see also: R&B music legend Fats Domino documentary has special meaning to local filmmakers



ON THE ROAD WITH PHJB #7: Charlie Gabriel & Clint Maedgen duet backstage





Voodoo Experience 2008 (The Hidden Voodoo)




Paul Sanchez and The Rolling Road Show

Voodoo Experience: The Tenth Ritual

Bonerama is a brass band of a completely different sort. They carry no trumpets or saxophones, but they do feature trombones, sousaphones, one electric guitar and drums. They not only have updated the sound, but they have redefined it. On Saturday, their version of "When The Levee Breaks" was done as if Led Zeppelin arranged it. Since the festival was at the edge of Bayou St. John in New Orleans (an area that experienced flooding after Hurricane Katrina), the presentation was completely surreal.

Immediately following Bonerama on the WWOZ Stage was Ivan Neville and Dumpstaphunk. Yes, he's one of those Nevilles. His band, moreover, is quite simply the best jazz/funk/rock fusion outfit to emerge from New Orleans since the Meters. Taking the stage at dusk, the band delivered a blistering set which included "Stinky," "Livin' In A World Gone Mad" and "Turn This Thing Around."


Movie role hardly a stretch for jazz musician

"Rachel getting married . . . ," Donald Harrison Jr. muses before the friends and family assembled at a fictional wedding. The setting is director Jonathan Demme's latest critically acclaimed work, starring Anne Hathaway; Harrison's opening line is the film's title.

Harrison's character, a jazz musician and close friend of the bride's father who is a music industry executive, isn't a stretch. Yet Harrison inhabits it with the same arresting blend of charisma and humility that he brings to the various roles he plays in his native New Orleans. They include jazz saxophonist and bandleader, with a new album, "The Chosen"; mentor to young players through a weekly nonprofit workshop; and Big Chief of Congo Nation, extending the Mardi Gras Indian tradition he inherited from his late father.

Po'Boy Preservation Festival This Weekend in New Orleans

20081117-poboyfestival.jpg

It's good to know a po'boy preservation society exists. These dedicated folks organized the second annual Po'Boy Preservation Festival, happening this Sunday on five blocks of Oak Street in New Orleans. We were at last year's inaugural fest, and this year the same po'boy fanaticism is expected—panelists on the sandwich's history, a taste-test from local vendors, and even some love for the po'boy's Italian cousin, the muffuletta.

Saturday, November 1, 2008

NolaFunk Lagniappe

The road goes on forever as Grayson Capps & the Stumpknockers peddle 'Rott-n-Roll' around the world

NOLA Radio: Here selected tracks from Grayson Capps' latest release now

Such a setting is conducive to "rott 'n 'roll, " the roadhouse-worthy blues-rock variation that is the Stumpknockers' speciality. "Rott-n-Roll" is also the title of the band's new CD.

Capps considers his ethnicity to be half Alabamian, half New Orleanian. He grew up in south Alabama, then lit out for New Orleans in the 1980s to attend Tulane University. He stuck around the Big Easy for another 16 years, fronting "thrash-folk" ensemble the House Levelers and blues-rock combo Stavin' Chain.

In 2002, he launched the Stumpknockers, his primary musical outlet ever since. His national profile received a boost when a novel by his father became the 2005 feature film "A Love Song for Bobby Long, " starring John Travolta and Scarlett Johansson. Capps appeared in the movie and wrote its theme, "Lorraine's Song (My Heart Is a Lonely Hunter), " which was briefly touted as a possible Oscar nominee for Best Original Song. His first-ever limousine ride deposited him at the red carpet for the movie's Hollywood premiere.





Burning Wood's "LET'S FLY DOWN" NOLA WEEKEND PLAYLIST

ZIP FILE IS HERE

TRACK LIST
Couchmal- C.C. Adcock
(at the) Maple Leaf - Stanton Moore
Time For The Sun To Rise- Earl King
Love, Honor and Obey- David Egan
Blue Crescent- Dr. Michael White
Door Poppin'- John Boutte
By The Water- Snooks Eaglin
I Give It All To You- The New Orleans Bingo! Show
Manic Depression- Bonerama
Everyday I Have The Blues- Germaine Bazzle
People Say- Jon Cleary & The Absolute Monster Gentlemen
True -James Booker



Home of the Groove's "Earl Palmer's Up-To-Date Funky Thing"



He played on an enormous wealth of well-known music - R&B, rock 'n' roll, and pop – both in New Orleans and after he moved out to Los Angeles in 1957 into the big time session scene. There's no way to capture all that Palmer accomplished (although Dave’s WFMU show comes close!). So, I've picked these three songs from the mid-1950s, when he was still active in New Orleans, that never cease to amaze me. I hope they’ll at least give a glimpse of Palmer playing complex, yet highly danceable grooves that have origins deep in the culture of his hometown.


PopMatters: The Zydepunks - Finisterre

On this album, the Zydepunks play big, barnstorming dance songs—massive, stomping, thumping, sweaty things with a piratical accordion played by a woman in a miniskirt and black stockings who is known in the publicity as Eve: no surname. If the musicians were performing this music live, then the floorboards would be shaking under the feet of the dancers, every ant in the room would be shooting out of its crevice or crack and running for safer ground. Beverages would fly.


Home of the Groove's "Percy Mayfield Declines Presidency"



Tongue firmly in cheek, Percy Mayfield teamed up with producer Johnny "Guitar' Watson back in 1974 for this musical declaration of non-service to his country as Commander-In-Chief - something about it limiting his ability to "frolic". The record was made some 20 years before Bill Clinton's unfortunate dalliance with an intern. So, besides being a great songwriter, Mayfield was a quite the political prognosticator. More likely, he just understood human nature. And, were Percy still with us, I am sure he would add a few more good reasons to the list about now. Anyway, I've always enjoyed this song, since hearing it years ago on the compilation LP, Atlantic Blues: Vocalists; and I chanced upon the 45 not too long ago, just in time for the run-up to Election Day.

Feeling nostalgic for those Mister Rodgers days? Want to relax with some felt-covered friends? This Halloween, put on your best outfit and join DJ Quintron and Miss Pussycat for their latest psychedelic installment of outsider art – a collaboration of electronic music, odd outfits, and puppets, of course!



Bingo! pulls out the stops in the Bingo! Parlour

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Somehow, it isn't surprising that The New Orleans Bingo! Show, after only several years of putting on their part-carnival, part-rock cabaret act, have a stage named after them at Voodoo X.




After all, the group's blend of good music, punky spirit, multi-media entertainment and good old-fashioned weirdness is an apt symbol for the festival as a whole.



Review: Bonerama and George Porter Jr.

In a legendary square in the heart of New Orleans where over a century ago countless men fell in duels under the live oaks that still stand, last Thursday night’s show with Bonerama (BNR) and special guest George Porter Jr. was nothing about dueling and everything about two musical forces of today’s New Orleans coming together for an amazing night of musical celebration in a city that appreciates life just a bit more these days.


Keith Spera's picks for most memorable moments from the first nine years of Voodoo





Bingo! Parlour Profile: Snuff Sugar

One year ago Snuff Sugar was formed in New Orleans when guitarist Alex Price and drummer Dustin DiSalvo decided to bring their passion for music together to form a band. Writing songs and getting a feel for each other’s styles they decided to add bass. They didn’t have to go far because Dustin’s brother is a local artist known as DJMC Microphone. Having done a two-year educational stint in Lafayette after Katrina, DJMC Microphone was eager to work with his brother on the promising project.

One Track Mind: Tab Benoit "Fever For The Bayou"


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As audacious as the claim might sound, Baton Rouge, Louisiana's own Tab Benoit is the Bayou State's answer to Stevie Ray Vaughan. It's a feeling I've had from the time I discovered his well-received debut Nice And Warm from 1992 and haven't wavered on that after about an album a year since then. He's got all the right traits for righteous swamp blues: a gritty, country-boy voice; a lean and funky blues approach; and a stinging, angular, soul-wrenching guitar attack.


Just as Vaughan had come to epitomize Texas blues, Benoit has done the same for Louisiana (even as his guitar licks borrow as much from Texas as it does a little further east). Moreover, Benoit likes to stress his Cajun roots, and often does so in the lyrics of his own songs, whether it be longing for the or reveling in the laissez les bon temps roulez attitude of the South Louisiana region.

That's just what he does for the title track from his superior 2005 release Fever For The Bayou. Benoit is one of the most consistently solid blues guys around and hadn't let success affect his music one iota, but "Fever For The Bayou" is where he goes even further than usual to blend the blues with zydeco. Since zydeco is really a Creole offshoot of the blues, Benoit isn't really inventing anything by doing that, just reminding us of the shared heritage of the two styles. The joyful chords he plays with his three piece band are full and are the kind of chords you'd hear out of an accordion.


Voodoo Podcast: The Funky & Freaky


Andre Williams

One of the most refreshing things about Voodoo is the extent of locally based booking - the Bingo Parlour and the Noomoon Stage both promise eclectic billing straight out of New Orleans, with acts culled from Crescent City cult favorites, local legends, bohemian celebrities and just plain weirdoes. This podcast introduces a few. Thanks to Ben Jaffe and the Preservation Hall Jazz Band, the New Orleans Bingo! Show, Washboard Chaz Blues Trio, Alex McMurray and the Valparaiso Men’s Chorus, Quintron and Miss Pussycat, Luke Allen and the Happy Talk Band, Hurray For The Riff Raff, the Zydepunks, the Bad Off, the Morning 40 Federation, and Andre Williams (pictured) and the New Orleans Hellhounds