Showing posts with label marco benevento. Show all posts
Showing posts with label marco benevento. Show all posts

Wednesday, January 2, 2013

Upcoming: Marco Bevenevento's Fat Tuesday Tribute to James Booker feat Johnny Vidacovich




Nolafunk Fat Tuesday Party!

Marco Benevento's Tribute to James Booker

w/ Johnny Vidacovich & Andy Hess + special guests

Tuesday February 12 @ Brooklyn Bowl
Tix/Info

Thursday, May 19, 2011

WIN TIX TO GARAGE A TROIS


// WIN 2 TIX GARAGE A TROIS! //

FT. STANTON MOORE, SKERIK, MARCO BENEVENTO & MIKE DILLON

Saturday, May 21, 2011

Hold onto your pint glasses, it’s gonna be a WILD night. That is, when mind-blowingly reckless, unapologetic jam-masters Garage A Trois throw down at the Bowl this Saturday night. The New Orleans-based band is prepared to blow your mind with flip-of-the-switch changes between punk-rock and freak-jazz and everything in between. They’ve been called “a transformative, punkalectic, pornographic seizure of sight and sound,” and who doesn’t wanna get down with that?

Garage A Trois = Stanton Moore, Skerik, Marco Benevento and Mike Dillon. ‘Nuff said.

You’re in luck–we’re giving away 2 FREE TICKETS to see Garage A Trois. See below for details.

***

Don’t want to wait to WIN? Buy Tix NOW

Doors at 6 // Show at 8 :: 21+

$12

***

ENTER 2 WIN ON TWITTER

RT to win 2 FREE TIX to GARAGE A TROIS on Sat, 5/21! http://bkbwl.com/GarageATrois #GATbb

**** Must include hashtag # ****

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Monday, July 12, 2010

NY Times Review: Garage a Trois

A Jam Band Counting on a Style of Its Invention

HOBOKEN, N.J. — The terminology can’t be trusted when it comes to Garage a Trois, a band consisting of the drummer Stanton Moore, the saxophonist known as Skerik, the percussionist Mike Dillon and the keyboardist Marco Benevento. That’s four people, not three, despite the group’s chosen name; it doesn’t have much stake in garage rock, either. And while Garage a Trois fits the profile of a jam band, its music feels more focused and less freewheeling than that particular pigeonhole might suggest.


Garage a Trois formed just over a decade ago, originally with Mr. Moore, Skerik and the guitarist Charlie Hunter. Its sensibilities have skewed grittier and more psychedelic with the current lineup, largely because of the fuzz-tone output of Mr. Benevento. On Thursday night at Maxwell’s here, the band played a shrewdly overdriven show, combining heavy-riff distortion with a rough-and-tumble funk delirium.


Almost all the songs were from its most recent release, “Power Patriot” (Royal Potato Family), a respectable album but only a faint intimation of what Garage a Trois can do live. (That may ultimately be the strongest link the group shares with its jam-circuit brethren.)


The band’s life force is rhythm, both at a subterranean level and on the surface. Mr. Moore is also a founding member of Galactic, which has evolved into an all-purpose New Orleans house band equally at home with bounce music or Mardi Gras funk. He has a knack for disarming bombast with elasticity, sounding sly and adaptable even when jackhammering at his toms. And he had a ready sidekick in Mr. Dillon, who began the set on vibraphone before turning to congas, tablas and effects.


There was mathematical complexity in some of the tunes, like “Rescue Spreaders,” which involved a whorl of superimposed meters, in groupings of four and five. (During a vibraphone solo by Mr. Dillon the rest of the band shifted neatly into swing.) But it was no less satisfying to hear the album’s relatively simple title track rendered tougher and wilder, with Mr. Dillon socking a pair of cowbells and Skerik howling through his horn. One tumultuous stretch of the tune recalled the Brecker Brothers at their fusioneering peak, when their sound was best described by the title of a live album: “Heavy Metal Be-Bop.”


Skerik and Mr. Dillon also played an opening set as two-thirds of the Dead Kenny G’s. (The other third is Brad Houser, on bass and baritone saxophone.) Their rapport in this setting was a bit more feverish than in Garage a Trois, and their tone a lot more juvenile. Skerik was freer and more impulsive with his improvising as the trio pinballed between styles: Afro-pop, Balkan klezmer, pocket funk lashed to Middle Eastern modality.


The jumpiness felt a little dated and obvious — very 1990s Knitting Factory — as did the ostensible target of the band’s fury. There are few easier marks than Kenny G, the living symbol of simpering instrumental pop. Skerik and crew know this, but why would they let that stop them? What’s in a name, anyway?

Sunday, December 20, 2009

Tonight: Garage a Trois Snowstorm Jam @ Brooklyn Bowl

Eye Candy For StrangersNew Years Resolutions @BrooklynBowl



Snowjam with Garage a Trois

December 20th

THE SNOWSTORM JAM

with

// GARAGE A TROIS //

FREE

with Special Guests TBA @brooklynbowl

Show 9:00pm 21+

Garage A Trois is a collaboration between four of the most visionary improvisers of the time: Skerik on saxophones, Mike Dillon on vibes, Marco Benevento on keys and Stanton Moore on drums.

And while improvisation is at the heart of what the quartet has staked its reputation upon at their legendary New Orleans Jazzfest sets and rare, but in demand, club tours, it's the intricate sonic tapestries, tightly orchestrated arrangements, refined melodies and positively modern approach to instrumental songwriting that's at the heart of their upcoming long-player, Power Patriot.