Showing posts with label Midnite Disturbers. Show all posts
Showing posts with label Midnite Disturbers. Show all posts

Wednesday, October 13, 2010

Vote for the next Threadhead Records project



Fan-funded New Orleans-based Threadhead Records is hosting a poll to help determine their next project. You do not have to register to vote. You just click on the link and can vote once per IP address per day through 10/18.


My favorites include: Midnite Disturbers (the all-star brass band, which has included Stanton Moore, Kevin O'Day, Skerik, Ben Ellman, Big Sam, Mark Mullins, Shamarr Allen, Troy Andrews, Kirk Joseph, Matt Perrine)


Tin Men feat. Alex McMurray, Matt Perrine (again) & Washboard Chaz

Injun Orchestra


Feel free to vote for your favorite.

Vote Here! Poll Closes at 12am est 10/18



One vote per IP address, per day. At the end of the week, the top 10 suggestions will be put up for a final vote. Final poll will be open for another week and at the end of that time, THR will choose a project from the top 3 most popular suggestions to pursue. Note: There is no guarantee that any project suggested will materialize into a THR project but THR will seriously investigate the possibility.


Who should we pursue for our next project?
AfricanZydeco Revue
RamaFest: Twangorama and Bonerama collaboration
David Torkanowsky
Kora Konnection
Anders Osborne (?), Johnny Sansone and John Fohl
VOW
Germaine Bazzle
groovesect and the soul project (soulsect)
Threadhead Records All-Stars
A childrens CD recording the music clinic kids
All That
Midnite Disturbers
Paul Sanchez and the Rolling Road Show
Threadhead Records artists do the History of New Orleans music
Wendell Brunious
Christmas funk compilation
Junko Pardners
The Injun Orchestra
Creole String Beans
Brint Anderson
Helen Gillet
Joe Krown trio
Bob Andrews
(Big Fine) Ellen Smith
John Gros
Sasha Masakowski
Tin Men
Johnny Sansone
Beatin Path



Sunday, May 2, 2010

My Pictures from Jazzfest 2010

Here are a few of my favorites...



First Cochon de Lait Po Boys of the weekend. Purchased right before the rain came down.


Injuns on the Jazz & Heritage Stage.



the funky Meters finishing up their set at the Acura Stage





the Midnite Disturbers - back at the Jazz & Heritage Stage



James Andrews leading a second line in the Blues Tent



Great crowd getting down to the Hot 8 Brass Band to wrap up the weekend.



Sunday, May 17, 2009

NolaFunk Lagniappe

New Orleans Jazz Festival: 'Trombone Shorty'

Of all the amazing New Orleans, Louisiana, musicians, my favorite could be Troy "Trombone Shorty" Andrews.
Troy "Trombone Shorty" Andrews performs on the Gentilly stage at the New Orleans Jazz Festival.

Troy "Trombone Shorty" Andrews performs on the Gentilly stage at the New Orleans Jazz Festival.

He cut his teeth at age 4 playing with legends like Bo Diddley. At 19, he toured with Lenny Kravitz.

And now, at age 23, Trombone Shorty is getting ready to play with Aerosmith and release his latest CD. He's played every venue in New Orleans you can think of.

I had the chance to catch up with him at the 40th annual New Orleans Jazz Festival this week. The following is an edited version of that interview.

CNN: You can't ask for better weather, better crowd, and to be the face of Congo Square. How does it feel?

Trombone Shorty: Well, it feels great. I'm happy to be in my city and get a warm reception like that from the audience.



Jazz Fest's Quint Davis stands at the crossroads of art and commerce


Forty-six years ago, a blond teenager in glasses, a plaid shirt and blue jeans cropped below the knee stood out as he strutted in a second-line parade.

Four months ago, still blond but now 61, he took part in a celebration in the small west African nation of Benin. As the drumming and dancing reached a crescendo, he dropped to all fours to "pop the gator," a particularly unhinged form of late-night New Orleans self-expression.

Quint Davis, the son of a prominent local architect, would seem an unlikely candidate to undertake a five-decade immersion in African-derived music and culture.




Midnite Disturbers: A Jazz Fest supergroup

Shamarr Allen, Mark Mullins and Ben Ellman sport the Midnite Disturbers T-shirts as they perform.

he band was started by New Orleans drummers and longtime friends Stanton Moore and Kevin O'Day. In the weeks following Katrina, O'Day had moved into Moore's house, where the two hit on an idea.

"We realized we had never had our own band together, and we decided to invite all of the best horn players we know to play with us," O'Day said.

Each artist has a name, printed in red, on his shirt, following the command "Listen to": Smokey Johnson ... Brian O'Neill ... Henry "Red" Allen. They're the band's predecessors and mentors. Although probably little known outside the Crescent City, they're the musicians who shaped New Orleans music: masters of their craft.



From Shaky Start to Enduring Tradition

Gospel singers were harmonizing and brass-band horns were pumping out a parade oompah. Between them, Glen David Andrews was dressed like an R&B star in shades and a heavily sequined T-shirt, shouting to the rafters, singing about the Lord. It was Friday afternoon in the gospel tent at the New Orleans Jazz and Heritage Festival. In typical New Orleans style, traditions were getting all mixed together.


This was the 40th annual Jazzfest, which ended on Sunday. Quint Davis, who produced them all, often describes it as the “world’s biggest backyard barbecue”: a giant New Orleans house party with food, drinks and live music, plenty of it. This year, on 12 stages during two long weekends, Jazzfest presented more than 400 acts, the great majority of them from Louisiana.


Full Slideshow HERE.



Longtime Tchoupitoulas Street snowball stand is as good as new



For 70 years, the whirring machine at Hansen's Sno-Bliz has turned ice into snow.

Before Ernest Hansen built it, snowballs were shaved by hand with a plane, but he wanted his son to have a snowball untouched by sweaty, dirty fingers.

His wife Mary, along with her collection of homemade syrups, turned the machine into a business. That business became a New Orleans institution.



Allen Toussaint: The Bright Mississippi



When asked about Allen Toussaint, Van Dyke Parks once said, "he's the greatest piano player alive, only no one knows it... including him." High praise from one legend to another. With The Bright Mississippi, Toussaint has finally released a jazz-oriented album. Though jazz-influences can be found on many of his rock/funk sides as well as in many of the songs that he has written (including "Whipped Cream," which was morphed into the theme from The Dating Game), arranged and produced, this album, a salute to the timeless music of his hometown of New Orleans is his first foray into jazz. Though he'd never recorded any of them, as a native New Orleanian, Toussaint was well-acquainted with the songs and music that has made The Big Easy synonymous with the phrase "The Birthplace of Jazz."


A music city
There is a very interesting online interview floating around with Scott Aiges who is the Director of Programs, Marketing and Communications for the New Orleans Jazz and Heritage Foundation. Mr. Aiges is in charge of opening Jazz Fest’s doors to music industry players and potential festival sponsors. He’s an important guy and has some really great thoughts on New Orleans music in general.

The subject of the interview is “Why Does the New Orleans Music Industry Lack Momentum?”.


Interview with Rob Mercurio from Galactic

OD: Here we are with Rob Mercurio, the bassist for the amazing band, Galactic. Thanks for taking the time to talk with me today Rob. How is your Jazz Fest coming along?

robplaying.jpgRM: Hmmmm...I felt like Stanton this weekend. (Laughs) I had three gigs this Saturday, after playing a late night at Tips the night before. I had multiple rehearsals, a gig Thursday, a gig Friday, a gig last night. I will be inducted into the walk of fame at Tips tonight. (It was Monday in between Jazz Fest Weekends when we did this interview, and Galactic was given that honor by Tips as part of the Instruments a Comin' benefit).






Jazzfest Features Ever-Growing Family Bands


The musical heartbeat of New Orleans families shone through in this year's Jazz and Heritage Festival, deeply evident when Big Chief Bo Dollis sang "I Love You" and "Goodbye" for two stanzas while his son shook his head and looked to the skies. Bo's voice was in fine form despite his physical battles, and performing with the Wild Magnolias gave him the strength to stand up and reach out his fans, thanking his fans for giving him a career in music. Marva Wright joined the Big Chief in a set that was as joyful as it was heartbreaking. Little Bo Dollis is the new standard bearer in The Wild Magnolias, a band that blasted Mardi Gras Indian


Neville adds own flavors to New Orleans music gumbo

Growing up on Valence Street in New Orleans’ 13th Ward, youngest Neville brother Cyril spent a lot of time in his mother’s kitchen. It was there that he learned about two of his hometown’s most important ingredients: music and food.

http://media.2theadvocate.com/images/tim+cyril+copy.jpg


“That’s not only where I learned how to cook, but that’s also where the radio was,” Neville explained a few weeks ago. “I watched my aunts and my mother break out into a dance when certain people came on the radio. Jimmy Reed, Wynonie Harris and stuff like that. “And when I was a youngster listening to all of this stuff, I was told that New Orleans was the home of the blues and Irma Thomas was the soul queen and the blues queen of New Orleans.”



Jazzfest on Twitter



From discipline comes freedom

Pianist Jonathan Batiste melds styles to make 'social music'



At 22, the New Orleans native is one of jazz's most dauntingly talented young pianists, a recent Juilliard graduate who started his career as an 8-year-old playing percussion in the popular New Orleans funk and R&B band run by his cousins, the Batiste Brothers. He's spent the past two years backing vocalist Cassandra Wilson, providing luscious accompaniment on her 2008 standards session, "Loverly," and recently joined trumpeter Roy Hargrove's hard bop quintet.


Warren Lee – Star Revue

By funky16corners on soul

Example

The Mighty King Lee

Listen – Warren Lee – Star Revue- MP3″

The tune I bring you today is one of my all time fave New Orleans soul records. Warren Leedoesn’t have one of the biggest discographies on the NOLA scene of the 60s, but in its ranks are a couple of the finest records to fall out of the Crescent City during that era, including a couple of gritty funk sides (‘Underdog Backstreet’, ‘Funky Belly’ and ‘Mama Said We Can’t Get Married’).




Saturday, January 31, 2009

Tipitina's 31st Anniversary | NOLA (c/o Jambase)

Words & Images by: Jeffrey Dupuis

Tipitina's 31st Anniversary
Midnite Disturbers, 504 Brass Band, Johnny Sketch, Good Enough for Good Times
Ivan Neville & Friends, Billy Iuso and Restless Natives, Groovesect, PBS
01.14 - 01.17 :: New Orleans, LA

Fess
Founded in 1977 as a neighborhood juke joint, Tipitina's recently celebrated its 31st anniversary. Founded by fourteen young music fans (The Fabulous Fo'teen) as a place for Professor Longhair to play in his later years, Tipitina's has grown to be the crowing jewel of the Tipitina's Foundation, a non-profit organization dedicated to supporting and nurturing the musical heritage of New Orleans and Louisiana. A veritable who's who of American music has graced the stage, which continues to support up-and-coming musicians and well-established acts alike.

Ed Ingraffia, who booked the anniversary series and acts as the Foundation's technology advisor explains, "What we wanted to do with our anniversary celebration this year was to present a comprehensive lineup of musical styles that represent the legacy and future of Tipitina's, as well as to showcase the musicians who contribute to the continuing mission of the Tipitina's Foundation in so many ways. Musicians such as Stanton Moore and Troy "Trombone Shorty" Andrews - both of whom have learned from their predecessors and now teach those of the next generation through programs at Tipitina's - are prime examples how the music traditions of New Orleans are passed down and cultivated into the next chapter of our city's cultural history. Through programs such as the Tipitina's Internship Program, Sunday Music Workshop and Music Office Co-operatives, our Foundation strives to foster these traditions, and be instrumental in the development and promotion of Louisiana music within both our local community and around the world."


Leading the celebration were The 504 Brass Band, Midnite Disturbers, Good Enough for Good Times, Johnny Sketch & The Dirty Notes, Billy Iuso & the Restless Natives, Ivan Neville and Friends (Ian Neville, Tony Hall, Raymond Weber, Walter 'Wolfman' Washington), Groovesect and Porter Batiste Stoltz.


Quotes:

Ivan Neville :: 01.16 :: Tip's
George Porter Jr.
"I've been playing this room since it became Tipitina's. The Meters and Professor Longhair were the first bands to play here. It's nice to be here, and it's always been good to me."

Ivan Neville, Dumpstaphunk, Neville Brothers
"Tip's to me is home. It's the training ground where I learned, listening and playing. If there was ever a music venue that was home, this is it, period."


Stanton Moore
"To me, Tipitina's is the temple of New Orleans music. It's where all the great people before us, and hopefully after us, have played. Growing up I always wanted to be good enough to be playing here. I feel honored to play here - it always feels like it's important, and important to play your best here."


Walter 'Wolfman' Washington
"Tipitina's has been a landmark after the Dew Drop Inn. When Fess was playing here, a lot of cats would get off of work and come here for the late night hours. Everybody came through here and jammed. It's been a home base for all us cats who have been around a while."


Kevin O'Day, Midnite Disturbers
"Tipitina's means the whole history of New Orleans music put into one place. The first time I walked on the stage, all the history and all the music that had been played on the stage hit me. It really blew my mind. From that point on, every time I've played here has been the bomb!"


Bob Compton, photographer
"Tipitina's is the center of the musical universe. I was here late one night and my friend asked if I wanted a ride home, and I looked at him and said, 'I am home.'"


Trombone Shorty :: 01.14 :: Tip's
Mark Mullins, Bonerama
"Tipitina's means you better put your best stuff on. Ever since I was a kid, I thought it would be an honor to play at Tip's. Tip's is its own special, unique place. You can't explain it, you have to visit and experience it."

Skerik, madman
"Tipitina's means everything to me. It is the epicenter - the center of the entire universe."


Kirk Joseph, Dirty Dozen Brass Band, Backyard Groove
"Tipitina's is the old school, all night, funk and fun. A treasure of New Orleans we need to preserve."


Andre Bohren, Johnny Sketch and the Dirty Notes
"The first time I was at Tip's I was about four-months-old. One of the most exciting moments of my life was when I first played Tip's. For me, there's no other place I'd rather play in the world."


Marc Paradis, Johnny Sketch and the Dirty Notes
"Playing Tipitina's for the first time was the biggest moment in my career up to that point, because you know what kind of sweat is soaked into the stage, who has played here, what kind of amazing events have occurred here - it's a tangible thing and you can sense that some real magic has happened here. It's hallowed ground. It's the hippest place to play. You feel like you're doing well when you can play a gig at Tip's."


Joe Ashlar, Good Enough for Good Times
"Before I moved to New Orleans, I flew down and played a gig at Tip's, and that was one of my favorite shows I had ever played. I decided to move here after that and call New Orleans home now.


Simon Lott, Good Enough for Good Times
"I love playing at Tip's. It's ecstasy - it's wonderful. I love this place."


Jeff Coffin :: 01.14 :: Tip's
Jeff Raines, Galactic
"If I could call a club my home, this would be it."

Andre Mouton, Johnny Sketch and the Dirty Notes
"Tip's gives people the opportunity to make music."


Johnny Rico, Johnny Sketch and the Dirty Notes
"Tip's means not full penetration - just the Tip."


Bust Gnutt, Johnny Sketch and the Dirty Notes
"I grew up in NOLA, and Tip's has always been the club - the venue. It's an icon, a great place to play. People come here and expect something good, expect you to deliver."


Billy Iuso, Restless Natives
"Tipitina's is always a good gig, good vibes and happy people. It's an important place in the music world. I hope it lasts a long time."


Ian Neville, Dumpstaphunk, Funky Meters
"Tipitina's has been a musical backyard. I remember coming in here since I was barely able to walk, reading stuff on the dressing room walls when I shouldn't have been reading it - enlightening stuff, you know. The list of people I've seen in here is the list that has helped me grow."


Jeff Coffin, Bela Fleck and the Flecktones, Mu'tet, Dave Matthews Band
"It's a real community of musicians. Everybody is playing and supporting everyone else. In a word, community - it's a beautiful thing."


Raymond Webber, Dumpstaphunk
"Tip's is very special to me and was one of my first gigs. It's a great institution and I hope we keep it going."


Brian Stoltz, Porter-Batiste- Stoltz
"Tipitina's is the place."


Erica Goldring, photographer
"Tipitina's is the heart of Uptown, where we grew up. It's my stomping ground. I keep coming back."


Danny Able, Groovesect
"My first real music experience in New Orleans was at Tipitina's. It was unlike anything I had experienced before. Tipitina's is what New Orleans is - the epitome of the New Orleans vibe. It's the center of the vortex - people get sucked in here."



Tipitina's

Midnite Disturbers & 504 Brass Band :: 01.14 :: Tipitina's


504 Brass Band


Midnite Disturbers


Big Sam - Midnite Disturbers


Big Sam - Midnite Disturbers


Skerik - Midnite Disturbers


Kevin O'Day & Stanton Moore - Midnite Disturbers


Matt Perrine - Midnite Disturbers



Shamarr Allen - Midnite Disturbers



Shamarr Allen - Midnite Disturbers



Skerik & Ben Ellman - Midnite Disturbers


Skerik - Midnite Disturbers



Midnite Disturbers



Midnite Disturbers

Johnny Sketch and the Dirty Notes
& Good Enough for Good Times
01.15 :: Tipitina's


Good Enough for Good Times



Mercurio and Ashlar - Good Enough for Good Times



Simon Lott - Good Enough for Good Times



Jeff Raines - Good Enough for Good Times



Johnny Sketch and the Dirty Notes



Andre Mouton - Johnny Sketch and the Dirty Notes



Marc Paradis - Johnny Sketch and the Dirty Notes


Marc Paradis - Johnny Sketch and the Dirty Notes



Johnny Sketch and the Dirty Notes

Tipitina's All-Stars featuring Ivan Neville & Friends
& Billy Iuso and Restless Natives
01.16 :: Tipitina's

T
ony Hall - Ivan Neville & Friends



Ian Neville - Ivan Neville & Friends




Ian Neville - Ivan Neville & Friends



Ivan Neville




Raymond Weber



Walter 'Wolfman' Washington



Walter 'Wolfman' Washington



Walter 'Wolfman' Washington



Billy Iuso and Restless Natives




Billy Iuso



Mike Burkart - Restless Natives



Thomas McDonald - Restless Natives

PBS (Porter, Batiste, Stoltz) & Groovesect
01.17 :: Tipitina's


Groovesect


D
anny Abel - Groovesect



PBS



Russell Batiste Jr. - PBS



George Porter Jr. - PBS



Brian Stoltz - PBS



Jeff Coffin with PBS



PBS