It’s one of the sad facts of life in the world of New Orleans music. It seems nearly every year someone significant in our unique musical culture dies during the Carnival season.
Herman Ernest III was a fixture behind the drums with Dr. John’s various ensembles for decades. Along with bassist David Barard, he provided the foundation for the funk. He passed yesterday, March 6, 2011
Besides his unparalleled skills as a percussionist, Ernest also had a keen wit and was quick with a laugh. Some of my favorite memories of him on the bandstand reflect the deep rapport he had with the Good Doctor. He would often introduce the other members of the band with his signature phrase, “That’s so unnecessary.” Funeral arrangements are pending.
Monday, March 7, 2011
Long Time Dr. John Drummer Herman Ernest Passes
Monday, February 21, 2011
Tuesday, September 7, 2010
NPR: "Dr. John And The Lower 911 - An Unbroken 'Heart'

The organ lays down a slow and sanctified groove, as if a hymn is about to begin, but then a driving drummer speeds up the pace. The organ sings out and a percussive, bluesy piano elbows in. Dr. John is messing with our minds, sliding from church to boudoir as his charmingly grizzled voice describes how his lover has had a "Change of Heart."
With his 70th birthday coming up in November, the New Orleans singer and pianist functions as the outspoken eminence grise for his battered city. His lively new album Tribal trots out jazzy, jive-y riffs and political statements about America's problems. Yet Dr. John (a.k.a. Mr. Malcolm John Rebennack Jr.) sounds his most relaxed on old-school love songs like "Change of Heart," a self-written exemplar of classic rhythm and blues with a jaunty New Orleans twist. The storyline is old-school, too: The woman he adores has stepped out with another man. He doesn't know what to do, except go out and find someone new himself.
The song ends on a mournful note — "She really hoit me so" are its last words — but "Change of Heart" isn't a downer thanks to the power of Dr. John's spirit. Musically and lyrically, he's made it clear that his broken-hearted narrator is moving on. Maybe that's a political statement in and of itself.
Thursday, August 26, 2010
PopMatters Review: Dr. John and the Lower 911's "Tribal"
By Jonathan Kosakow

(429; US: 3 Aug 2010; UK: 28 Jun 2010)
New Orleans’ very own Dr. John has a familiar sound. The swampy jazz, funk and soul of the Bayou has flowed forth from him since the 1960s, at times following different directions, but always staying true to its roots. The piano swoons, the bass swings, and his gravely vocals lay truth on the line. It’s a comforting sound, one that touches the soul. His latest, Tribal, played with backing band The Lower 911, does just what we’ve come to expect from the good Doctor. A follow-up to his 2008 album, The City That Care Forgot, in which he took anger out on those who let his beloved city stand hurting, Tribal makes no secret of his continued displeasure with the state of affairs in this country.
The album starts out on a positive note with “Feel Good Music”, a slow funk proclaiming, “I’m a feel good doctor and I don’t lose/make ya feel good and ya won’t refuse”. But he wastes no time getting to the thick of things, as “Lissen At Our Prayer” begs our respect for all life, and “Big Gap” (co-written with Allen Toussaint) attacks the financial class differences becoming evermore present in the United States. The title track sums up the general message of the album: all humans are one, so we must live together and help each other.
The album also features some tunes of a lighter tone. “When I’m Right (I’m Wrong)” and “Jinky Jinx” take some playful jabs at his own faults in the world of life and love. A shout-out is given to the world champion New Orleans Saints with a “Who Dat!?” chant thrown into “Sleepin’ in my Bed”, and “What’s Wit Dat” has so much hop, it could physically pick you up and move your feet for you.
The hardest hitting tracks come towards the end. “Them”, also co-written by Touissant, is a spooky tune, and asks whom we will blame next for our problems (there’s always someone else, after all). “Manoovas” is four minutes of electric blues featuring the slide guitar of Derek Trucks alongside a dark, driving bass line.
Tribal is not just another Dr. John album, nor is it simply a call for action (neither of which would be at all painful, by the way). The poignant lyrical message conveyed through most of the album, coupled with the ability of the music to keep you uplifted, is perfectly reminiscent of the spirit of New Orleans. Even though times could be better, there is always a reason to go on.
Tuesday, August 3, 2010
Upcoming: Dr. John & Lower 911 Play Second Night @ City Winery Tonight

Dr. John, or Mac Rebennack as known to friends and family, is universally celebrated as the living embodiment of the rich musical heritage exclusive to New Orleans. His very colorful musical career began in the 1950s when he wrote and played guitar on some of the greatest records to come out of the Crescent City, including recordings by Professor Longhair, Art Neville, Joe Tex and Frankie Ford. A notorious gun incident forced the artist to give up the guitar and concentrate on organ and piano. Further trouble at home sent Dr. John west in the 1960s, where he continued to be in demand as a session musician, playing on records by Sonny and Cher, Van Morrison and Aretha Franklin to name a few. He also launched his solo career, developing the charismatic persona of Dr. John The Night Tripper.
Adorned with voodoo charms and regalia, a legend was born with his breakthrough 1968 album Gris-gris, which established his unique blend of voodoo mysticism, funk, rhythm & blues, psychedelic rock and Creole roots. Several of his many career highlights include the masterful album Sun, Moon and Herbs in 1971 which included cameos from Eric Clapton and Mick Jagger and 1973’s In The Right Place, which contained the chart hits “Right Place Wrong Time” and “Such A Night.” Dr. John garnered Grammy award wins in 1989, 1992, 1996 and 2000. In 2004, his musical love letter to the city of New Orleans, “N’awlinz Dis Dat or D’udda,” was awarded the prestigious Académie Charles Cros 57ème Palmarès award in France. It was the first time since the 1970s that an artist from North America received the award.
He has also received six other nominations over the years. In 2007 he was nominated for a Grammy for “Sippiana Hericane,” his Hurricane Katrina benefit disc. Other awards include the American Society of Young Musicians 2007 Trailblazer Award. After Hurricane Katrina and government bunglers bashed New Orleans in 2005, Dr. John immediately stepped up to the plate with both generous relief fund-raising concerts and recordings and angry public words of protest. One of the Crescent City's most favored sons, Dr. John does his considerable bit to keep the world's attention focused on what needs to be done to help New Orleans come back.
In 2008, he released the album “City That Care Forgot,” which deals with various aspects of post-Katrina New Orleans and the Gulf Coast. In 2009, “City That Care Forgot” won the Grammy for “Best Contemporary Blues Album.” It is considered to be his finest recording in twenty years. After a half century of creating music for others and himself, Dr. John continues to write, arrange, produce and interpret with a passion that has yet to wane. He continues to dazzle and delight audiences across the globe touring consistently. In fact, Dr. John, veteran of decades in music, is at the height of his creative output right now, having recently released grandly-conceived tribute albums to Duke Ellington and Johnny Mercer, and having famously revived his full-blown, magnificently-costumed 'Dr. John, the Night Tripper' stage persona in June 2006 at the Bonnaroo Music Festival.
Dr John brings his band 911 to the stage for two unforgettable nights of N'awlinz swamp funk, deep in the sultry summer sweat that is New York City in August. Don's miss these shows, no matter what.
Thursday, December 31, 2009
In Pictures: Dr. John & Lower 911 @ Highline Ballroom
Tuesday, December 22, 2009
Upcoming: 1/2 Price Dr. John Tickets @ Highline Ballroom


Dr. John & The Lower 9-11 at HighLine Ballroom
HighLine Ballroom (New York City, NY)
Tuesday, Dec. 29 @ 9:30pm (Doors Open at 9pm)
Wednesday, Dec. 30 @ 9:30pm (Doors Open at 9pm)
Full Price: $35.00
Our Price: $17.50
Dr. John & the Lower 9-11 features Mac Rebennack, commonly known at Dr. John the Night Tripper, playing a blend of funk, r&b, psychedelic rock, jazz and Creole roots. In the '50s, Dr. John played guitar on some of New Orleans' greatest records, before an injury forced him to switch to piano. Notable for his eccentric costumes, including voodoo charms and robes, Dr. John has recorded with Sonny and Cher, Van Morrison and Aretha Franklin.