Showing posts with label leroy jones. Show all posts
Showing posts with label leroy jones. Show all posts

Wednesday, June 3, 2009

Download: Lots of Live Jazzfest Recordings

(reposted from the Jazz Fest message board c/o B Ferdman)

The original poster has requested:
If you like what you hear then by all means support WWOZ.
If you don't know, it's community and volunteer driven, and relies upon YOUR DONATIONS to do what it does.
So please, lets make sure that WWOZ can continue to do their thing. I know I appreciate it!

Christian Scott Quintet 2009-04-30 - Snug Harbor, NOLA
http://www.megaupload.com/?d=RDA5SR5A

Courtney Bryan 2009-05-02 - Jazzfest, NOLA
http://www.megaupload.com/?d=VGHZBONP

Delfeayo Marsalis 2009-04-30 - Jazzfest, NOLA
http://www.megaupload.com/?d=RMZ00TOY

Doreen's Jazz New Orleans 2009-05-01 - Jazzfest, NOLA
http://www.megaupload.com/?d=KKTVSHGL

Ensemble Fatien 2009-05-02 - Jazzfest, NOLA
http://www.megaupload.com/?d=KWMWHJMN

Esperanza Spalding 2009-05-01 - Jazzfest, NOLA
http://www.megaupload.com/?d=1ZYGBI6L

George Wein 2009-04-30 - Jazzfest, NOLA
http://www.megaupload.com/?d=FBOPKRK2

Germaine Bazzle 2009-04-26 - Jazzfest, NOLA
http://www.megaupload.com/?d=GD9XDTJF

Gospel Soul Children 2009-04-24 - Jazzfest, NOLA
http://www.megaupload.com/?d=OQCVBPDE

Henry Gray & the Cats 2009-04-25 - Jazzfest, NOLA
http://www.megaupload.com/?d=RA0C7AFL

Herlin Riley 2009-04-26 - Jazzfest, NOLA
http://www.megaupload.com/?d=94NH28V1

Hot Club of New Orleans 2009-05-02 - Jazzfest, NOLA
http://www.megaupload.com/?d=TMGVHUWI

John Mooney & Bluesiana 2009-04-25 - Jazzfest, NOLA
http://www.megaupload.com/?d=P3HFVKHI

June Gardner & the Fellas - 2009-04-24 - Jazzfest, NOLA
http://www.megaupload.com/?d=IS0JQXSA

Kermit Ruffins & the BBQ Swingers 2009-04-29 - Sidneys Saloon, NOLA
http://www.megaupload.com/?d=NMGLH31F

Kurt Elling 2009-05-03 - Jazzfest, NOLA
http://www.megaupload.com/?d=E1K6CT7Y

Leroy Jones & Fairview Baptist Church Brass Band 2009-04-24 - Jazzfest, NOLA
http://www.megaupload.com/?d=GACMLQAI

Lil Buck Senegal Blues Band 2009-04-25 - Jazzfest, NOLA
http://www.megaupload.com/?d=A9DV9QL5

Luther Kent 2009-05-03 - Jazzfest, NOLA
http://www.megaupload.com/?d=YYX30PY0

Mario Abney Quintet 2009-05-02 - Jazzfest, NOLA
http://www.megaupload.com/?d=67WVGADX

Medeski, Martin, and Wood 2009-05-02 - Colton Theater, NOLA
http://www.megaupload.com/?d=EIOPV9WR

Miles Davis Tribute 2009-05-02 - Jazzfest, NOLA
http://www.megaupload.com/?d=J2FSG19K

New Birth Brass Band 2009-04-30 - Jazzfest, NOLA
http://www.megaupload.com/?d=V6X63KAL

Nigel Hall 2009-05-01 - Colton Theater, NOLA
http://www.megaupload.com/?d=SP72EVUR

Poncho Sanchez 2009-05-01 - Jazzfest, NOLA
http://www.megaupload.com/?d=0DXHJJC3

Preservation Hall Jazz Band 2009-05-02 - Jazzfest, NOLA
http://www.megaupload.com/?d=ABV4OHXY

Rebirth Brass Band 2009-04-25 - Jazzfest, NOLA
http://www.megaupload.com/?d=2TT0Z0TSv

Roderick Poulin & the Big Easy Groovers 2009-04-26 - Jazzfest, NOLA
http://www.megaupload.com/?d=6XH9BFN5

Sonny Landreth 2009-04-26 - Jazzfest, NOLA
http://www.megaupload.com/?d=UE16TD40

Soulive 2009-05-02 - Colton Theater, NOLA
http://www.megaupload.com/?d=Y6O5JW07

Terence Blanchard 2009-04-26 - Jazzfest, NOLA
http://www.megaupload.com/?d=VX8WE6O3

Third World 2009-04-25 - Jazzfest, NOLA
http://www.megaupload.com/?d=N1S3J1YW

Tribute to Mahalia Jackson 2009-04-24 - Jazzfest, NOLA
http://www.megaupload.com/?d=7TTH018H

Walter Peyton & Gumbo File 2009-05-01 - Jazzfest, NOLA.
http://www.megaupload.com/?d=RCKHO678




Wednesday, March 4, 2009

NolaFunk Lagniappe

Home of the Groove's "Three To Get Ready For Mardi Gras"
(a little late, but still good listening)

Mardi Gras' coming and it won't be long. . .so let's get further in the mood right now with some more Mardi Gras Indian-related music. . . .






101 Runners ft Big Chief Monk Boudreaux, Maple Leaf, 2/18/09


Big Chief Monk Boudreaux



















Indian Funk – a sound rooted in tribal rhythms, call-and-response chants, and New Orleans funk. Initially developed by The Wild Magnolias in the early 70s, today, the 101 Runners uphold and enrich this authentic and invigorating tradition. This night joined by another seminal pioneer of the Mardi Gras Indian sound (former member of The Wild Magnolias and current member of the Golden Eagles) Big Chief Monk Boudreax (who also played a significant role in The Wild Magnolias’ recordings), the 101 Runners kicked off the biggest celebration in the United States at the Maple Leaf.



George Porter Jr., Neil Young, Jazzfest, and What It Means to Miss New Orleans

alt
Jazzfest 2005 was another tuning point for me… the moment I really understood what it meant to miss New Orleans: I found it in the music. The Meters Reunion really drove things home. Soon, I found myself venturing to New Orleans regularly to absorb myself in the scene. Local bands, touring bands – practically went out the window. At any random moment, without hesitation, I’d be up for heading down to the Big Easy. Johnny Vidacovich is playing at the Maple Leaf; Bloc Party is coming to One-Eyed Jacks; it’s Wednesday; I’m going to New Orleans. I had also figured out how I was going to see Neil Young: Farm Aid. So I bought tickets to the 20th Anniversary Farm Aid slated for September 18th in Chicago. Then Hurricane Katrina hit. removed myself from the medical field and revived my faith in music.



Groovescape's Slideshow of Walter "Wolfman" Washington & Roadmasters @ Maple Leaf



Trumpeter Leroy Jones adds strings to his lush, romantic jazz



Appropriately, Jones is releasing "Sweeter Than a Summer Breeze" with a Valentine's Day show Saturday, Feb. 14 at Donna's Bar & Grill. Among the musicians joining him onstage is his wife, Katja Toivola, a trombonist. A native of Finland, she met Jones while in New Orleans researching her ethnomusicology master's thesis on brass band jazz. They've been together for 12 years, and married for three.

Jones knows brass band history -- he's part of it. In the early 1970s, he cut his teeth as the 12-year-old leader of the Fairview Baptist Church Brass Band. The late banjoist and raconteur Danny Barker organized the ensemble to rekindle interest in traditional brass band music among young musicians. The Fairview unit evolved into the Hurricane Brass Band, with Jones out front.



The Meters — Jackson, MS (10/5/1975)

the-meters

01 7:35 Wildflower
02 11:51 Thank You Falettin Me Be Mice Elf
03 8:46 Lively Up Yourself
04 13:58 Middle Of The Road%
05 5:35 People Say
06 19:54 It Ain’t No Use
07 6:35 E: Hey Pocky Way


Doucet, BeauSoleil take home Grammy



MC Trachiotomy and His Creepy Abode


Pearlmctrach02

MC Trachiotomy is the king of New Orleans, sitting on a throne in a ramshackle palace full of huge mechanical puppets, 18th century antique instruments, a defunct (fully stocked) wallpaper store, a warehouse full of weird artifacts, and plus there’s a 24-hour taco truck in the backyard. It's called the Pearl Lounge, and it hosts a crazy live rock and hip-hop party every Sunday night from midnight to 6 AM in the upper Ninth Ward. He got his start in the screamo pyromaniac band Crash Worship, then in 1995 disappeared into the purple smoke of lo-fi percolation in a voice that sounds like the reason for which he named himself. He's toured the world repeatedly, loves the tropics and Greece, and played with the Butthole Surfers at their reunion shows last year. So hey, let's find out more about this guy.

His longtime buddy Quintron says he once "painted himself green and cradled an empty coke bottle like a baby as a stunt to ward off City clean up-crews. And he trained his dog Pablo to bark at smoke machines."



The Roots of New Orleans Funeral Music


Today’s YouTube masterpiece is a morbid bluesy number with a Spanish tinge that was published in 1857. I discovered it because Jelly Roll Morton quotes it in “Dead Man Blues.” This song is still around in the New Orleans funeral style that Jelly Roll was riffing on — you hear this tune as the gothic minor snippet before things get happy.

Wednesday, January 7, 2009

Upcoming: Export NOLA @ Sullivan Hall (1/9 & 11)

Export NOLA logo


Export NOLA showcase - Friday, January 9, 2009



8:00 PM: Paul Sanchez, John Boutte & Leroy Jones:

To look at Paul Sanchez you wouldn't necessarily know he was from New Orleans but when he takes to his guitar and mic on stage there is no doubt the man is New Orleans in his heart. It’s evident. It’s clear. It’s remarkably and unmistakably original New Orleans music he plays, paradoxically familiar and new. With his latest release of new material “Exit to Mystery Street”, Sanchez balances New Orleans street music, singer/songwriter introspection and rock ’n’ roll eclecticism with the grace of a cocktail waitress with a trayful of martinis at happy hour. www.paulsanchez.com


Whatever the song, its soulfulness will stop you in your tracks, for Boutte lives and breathes the heart and soul of New Orleans. Born into a large Creole family that goes back seven generations in Louisiana, he was exposed to music early in life, soaking up New Orleans jazz, soul, blues and gospel, then adding his own Creole traditions along the way. Today, Boutte works with a wonderful amalgam of styles -- from torchy jazz to aching soul and African-American gospel -- all convincingly delivered.www.johnboutte.com


Leroy began studying the trumpet at age 10 and by the time he was 13 years old, he was already leading Danny Barker's young Fairview Baptist Church Brass Band performing at the Kennedy Center for the Performing Arts and the Smithsonian Institute Festival of Culture & Folklore. The Fairview band later evolved into the Hurricane Brass Band, which became the seed of the Dirty Dozen Brass Band. Jones has been a member of the Harry Connick, Jr. Orchestra, performed on numerous recordings with various artists, leads one of the Preservation Hall Jazz Bands and has two critically acclaimed solo releases, "Mo' Cream From The Crop" and "Props for Pops" on the Sony/Columbia label. http://www.satchmo.com/leroyjones/


9:20 PM: The Jonathan Batiste Band:
Jonathan Batiste was first introduced to music through his family's band, the Batiste Brothers Band, in which he played the percussions at the age of 8, switching to the piano at age 11. Jon is a multi-instrumentalist, versatile in performing on piano, melodica, saxophone, and bass guitar. His skills range from gifted performer and recording artist to composer and arranger as well. He has been invited to play with various wonderful musicians such as Abbey Lincoln, Lenny Kravitz, Jimmy Buffet, Cassandra Wilson, Curtis Fuller, David "Fathead" Newman (saxophonist for Ray Charles), Maraca, Louis Hayes, Goapele, as well as some of South Africa's musicians such as Ernie Smith, Prince Kupi, Musa Manzani. www.jonathanbatiste.com

10:40 PM: Christian Scott Quintet: There is a warm wind blowing in the jazz world from a young, powerful voice known as Christian Scott. When Scott plays his trumpet he blows down jazz barriers but also cultural, economic and emotional obstacles. Scott is one of the most progressive jazz musicians of our time, playing with a unique tone and candor. He is an artist for all the right reasons, who loves his chosen craft as well as embracing indie rock, neo-soul and hip-hop. He's collaborated with Brother J of X-Clan, Prince and Mos Def. His last two albums earned him his first Grammy nomination and the praise of many industry heavyweights. Jazz has seen its share of great trumpeters but Scott is not simply following in their footsteps. He is making some massive tracks of his own as one of the Crescent City's new breed of horn blowers. www.christianscott.net


12:00: Big Sam’s Funky Nation: Big Sam’s Funky Nation is trombone powerhouse Big Sam Williams joined by a talented crew of musical assassins and together they deliver an explosive blend of hard-driving funk and the festive sound of New Orleans’ street parades. After touring with the Dirty Dozen Brass Band, Big Sam struck out on his own and assembled a group of New Orleans jazz trained musicians to start the Funky Nation. In addition to touring with Allen Toussaint and Elvis Costello across Europe and North America, Big Sam has played with national headliners such as Ozomatli, Widespread Panic, U2, Dave Matthews and Robert Randolph bringing his unique brand of New Orleans funk to his every performance. Big Sam’s Funky Nation has appeared at the New Orleans Jazz & Heritage Festival, Voodoo Music Festival, Bonnaroo, Austin City Limits, Essence Music Festival, Telluride Blues & Brews and clubs across the nation. www.bigsamsfunkynation.com




Export NOLA showcase - Sunday, January 11, 2009

7:00 & 9:00 PM: DJ Soul Sister: With a flair for the rare, DJ Soul Sister has been rocking parties and radios since 1994, when she took her love of "crate digging" and collecting vintage funk vinyl to another level. "Soul Sister" (as she is known to her listeners) holds down Saturday nights from 8-10pm on WWOZ 90.7 fm, featuring the best in rare groove and deep funk from the late 1960s through early 1980s. Her "Soul Power" show is the longest-running rare groove radio show in the US. Also a well-known club and event "DJ artist" she remains true to the format and music that she collects and loves - deep funk, rare groove, underground disco, D.C. go-go, boogaloo, Afro funk, groove jazz and old school hip hop. Soul Sister is a rarity in DJ circles as one of the few women internationally to strictly specialize in vintage funky styles on 100% vinyl. Fans flock to her "right on party situations”. She has also opened and been invited to open for a number of legendary acts, including George Clinton & P-Funk, Chuck Brown & the Soul Searchers, The Roots, Jurassic 5, Isaac Hayes and many more. www.djsoulsister.com


8:00 PM: Kirk Joseph’s Backyard Groove feat. Big Chief Monk Boudreaux: Kirk Joseph has earned his seat at the table of New Orleans’ greatest musicians and will surely claim his place in music history as perhaps the greatest innovator of his instrument, the sousaphone. For most, a mention of the sousaphone conjures images of marching bands and drum cadences. But in the hands of Joseph, the instrument comes to life in ways that its namesake, John Phillip Sousa, could have hardly imagined. During his long tenure with the Dirty Dozen Brass Band, Joseph developed his innovative approach to the sousaphone, replacing the instruments limits, as perceived by his predecessors, with a rich musical vocabulary. Never before had such a creative and stylistic range been demonstrated. But the new standards set by Kirk Joseph have prompted many since to follow his lead. www.kirkjoseph.com


Big Chief Monk Boudreaux has donned his masked Indian persona, keeping alive the impact of the Mardi Gras Indians on New Orleans music. Boudreaux’s style draws heavily on the tribal chants characteristic of Mardi Gras Indians but also combines funk and traces of R&B. Big Chief Monk Boudreaux has done work with The Golden Eagles, and collaborated with Big Chief Bo Dollis and the Wild Magnolias. In 2002, Boudreaux released a collaborative album with Anders Osborne and finally made his solo debut in 2005 with his hypnotic album, Mr. Stranger Man. www.myspace.com/thethunderbirdmanagementgroup


9:50 PM: Christian Scott Quintet: There is a warm wind blowing in the jazz world from a young, powerful voice known as Christian Scott. When Scott plays his trumpet he blows down jazz barriers but also cultural, economic and emotional obstacles. Scott is one of the most progressive jazz musicians of our time, playing with a unique tone and candor. He is an artist for all the right reasons, who loves his chosen craft as well as embracing indie rock, neo-soul and hip-hop. He's collaborated with Brother J of X-Clan, Prince and Mos Def. His last two albums earned him his first Grammy nomination and the praise of many industry heavyweights. Jazz has seen its share of great trumpeters but Scott is not simply following in their footsteps. He is making some massive tracks of his own as one of the Crescent City's new breed of horn blowers. www.christianscott.net


11:15 PM: Big Sam’s Funky Nation: Big Sam’s Funky Nation is trombone powerhouse Big Sam Williams joined by a talented crew of musical assassins and together they deliver an explosive blend of hard-driving funk and the festive sound of New Orleans’ street parades. After touring with the Dirty Dozen Brass Band, Big Sam struck out on his own and assembled a group of New Orleans jazz trained musicians to start the Funky Nation. In addition to touring with Allen Toussaint and Elvis Costello across Europe and North America, Big Sam has played with national headliners such as Ozomatli, Widespread Panic, U2, Dave Matthews and Robert Randolph bringing his unique brand of New Orleans funk to his every performance. Big Sam’s Funky Nation has appeared at the New Orleans Jazz & Heritage Festival, Voodoo Music Festival, Bonnaroo, Austin City Limits, Essence Music Festival, Telluride Blues & Brews and clubs across the nation. www.bigsamsfunkynation.com


Monday, October 20, 2008

NolaFunk Lagniappe

Bingo! Parlour Profile: THE TIN MEN featuring THE VALPARAISO MEN'S CHORUS

The Tin Men are one of New Orleans’ most interesting and exciting bands. Consisting of Alex McMurray on guitar and vocals, Matt Perrine on sousaphone and washboard, and Chaz Leary on washboard and vocals, the band has riveted audiences with its own brand of music. Those who caught their late night performances during the 2002 Jazz Fest season hailed the group as “the best thing seen during Jazz Fest.”

The Valparaiso Men's Chorus Guano and Nitrates is a rare and strange artifact. For reasons no one can clearly remember, it was decided to assemble a large group of men for the purpose of making a recording of sea shanties. The Monday after Thanksgiving was chosen to maximize the size of the group, and the Mermaid Lounge was chosen as the site, due to its proximity to recording equipment and alcohol. We acquired the last two reels of 1/2 inch tape for sale in Orleans Parish and went to work.





Home of the Groove's "EARL PALMER'S UP-TO-DATE FUNKY THING"


What I want to do here is focus on just a few examples of Earl Palmer's playing that demonstrate the more poly-rhythmic aspects of his style and express the uniquely New Orleans side of this incredible groove-maker. A deeply funky feel seems to be an innate characteristic of the city's best drummers, so ingrained in the local culture that to second line is second nature. With antecedents going back several hundred years through the Caribbean (Cuba and Haiti) to Africa via the tragic diaspora of slavery, that rhythmic heritage was perpetuated in the weekly dance and drum circles allowed in Congo Square and the secretive societies of the Mardi Gras Indian gangs in city. They arose in jazz, New Orleans' great improvisatory well-spring, through street parade musicians, moving on to shape the distinct local R&B flavor from the 1950s to the present day, as funk in the city’s music has become increasingly overt. Excuse me for trying to cram several centuries of musical ferment and evolution into a few sentences. Anyway, I don't think it's an overstatement or simplistic to say that Earl Palmer is a vital part of that musical continuum and the first drummer to inject both second line syncopations and the turbo-charged, driving pulse of rock 'n' roll into the mass appeal popular music that quickly overtook much of the world, influencing myriad musicians and forever changing listeners' attitudes and expectations, getting backfields in motion across racial and cultural divides, and uniting us in universal worship of the beat.

Second line fetes famed photog Michael P. Smith

It seemed fitting that a man who immortalized second lines in photographs was celebrated with one of his own. And so it was for Michael P. Smith, as hundreds gathered on a warm Saturday afternoon outside of the Sportman’s Corner at Second and Dryades Streets to pay their respects to one of New Orleans finest photographers.

CHECK OUT MORE PHOTOS OF THE SECOND LINE HERE.


New Orleans's musical scene that's Free and Freeing

New Orleans's musical scene that's Free and Freeing
Squeezing the dollar bill until the eagle grins has become more common than ever both here and around the country. Everything seems to go up except incomes. Fortunately, New Orleanians don't have to sacrifice hearing live music just because budgets are tight. That's never truer than during the lovely fall months with festivals, outdoor concerts and second lines in abundance. Daytime and early evening shows also offer the opportunity to share the music with the kids and have them experience New Orleans' many contributions to the world including our greatest gift, jazz.


Something Old, Something New: Astral Project - 30 Years of Jazz


Something Old, Something New
Gasoline was only 63 cents a gallon when Astral Project, which is now regarded by many as New Orleans premiere modern jazz ensemble, was formed. The world and this city have changed dramatically since that time - Tipitina's and the Neville Brothers were just kicking in and Katrina was simply a girl's name. Yet through the decades Astral Project's music has remained the same in terms of its high level of musicianship and creativity. While folks may claim their favorite album, it is remarkable that the group has never put out a bad CD. The latest effort, "Blue Streak," the release of which will be celebrated -- along with the anniversary -- at Snug Harbor on Saturday, October 11, is no exception to that rule. From the first cut, saxophonist Tony Dagradi's "Cannonball," the music grabs one's attention with its strong melody, freshness and clean sound. It's just plain good.

The group with Dagradi, guitarist Steve Masakowski, bassist James Singleton and drummer Johnny Vidacovich is perhaps most noted for its members' abilities to sense each others musical directions and to utilize this attribute to enhance the overall flow and sound. They are one entity on another Dagradi number, the title cut, "Blue Streak." On this burner, each individual's efforts remain wonderfully distinctive even within the tight ensemble work.




Bingo! Parlour Profile: THE NOISICIAN COALITION

Founded by Mattvaughan Black (aka Mr. The Turk of The New Orleans Bingo! Show) on Lundi Gras of 2005 as an evolving experiment in the random collaboration between people, sound and rhythm, The Noisician Coalition has since blossomed from its original seven member lineup to a rotating cast of up to fifty members at any given march. Armed with an arsenal of modified bullhorns, handmade synthesizers, and found-object percussion assembled by Black himself, this “post-apocalyptic communist clown army marching band,” fiercely bedecked in the red, white and black of a trusty RCA cable, assemble themselves four times a year to engage in some of the most cataclysmic rhythms ever to be witnessed in the streets of New Orleans’ French Quarter.

Apart from being special guests in The New Orleans Bingo! Show's presentation of THE BLACK SHOW on Friday night and marching in the Voodoo Parade on Saturday afternoon, expect to see this renegade marching troupe performing sporadically around the Voodoo Experience grounds for all three days of the festival. Making their base camp / village headquarters backstage at The Bingo! Parlour, they shouldn't be hard to find. Elsewhere on the grounds? Odds are good you'll hear them before you see them.

Is Christmas ever truly out of season? Maybe. But it's hard not to watch this ill-advised 2007 Christmas special starring The Noisician Coalition over and over again. Even in October. Or July. Or... Well, you get it. Please, enjoy responsibly:




Listen, Leah Chase Will Say Like This


Leah Chase has been lauded as a keeper of the flame of Creole cooking, and never more so than after Hurricane Katrina when all of the city’s indigenous food traditions seemed so threatened.

Fortunately, Chase’s living legacy is still in practice at her restaurant, Dooky Chase, and it has also been well documented in a series of books compiling her recipes and stories from the Creole kitchen.


Leroy Jones: A New Orleans State of Mind


Leroy Jones"I'm not sure but I think all music comes from New Orleans."
—Lee Dorsey

Jazz trumpeter, vocalist, and New Orleans native Leroy Jones takes after his 'mother' in the best possible ways. He's charming, generous and kind and has the gift to musically move you from tear-in-the-eye emotion to dancing in your seat. Jones also has the optimistic attitude of many New Orleans residents. He seems to look on the bright side of things, even the humid late summer weather. He wouldn't say the weather was bad, just hot. "You all have no idea what summer is," he laughs. And Jones definitely knows how to have fun, Big Easy style. His joy and passion during a performance is contagious even to the stodgiest among them.





This week's music picks from Basin Street

Check out this week’s selections from Nolaphile friends, Basin Street Records. This week we get to share work from artists Kermit Ruffins, Henry Butler, and Jon Cleary.


Bingo! Parlour Profile: BONES

Little is known of the disreputable duo from Baton Rouge who perform under the moniker of "BONES." Here's what some have said...

"The Baton Rouge, Louisiana, duo Bones work a marvelously demented swampcore-blues-torture sound." -LA Weekly

"Bones works a sticky, oozing trash-garage wallop that, despite the spare two-man blitzkrieg attack force and fealty to their home state's swampy blues grinds, arcs almost into shadowy Black Sabbath-esque territory, a region fraught with menace, corruption, and who-gives-a-damn abandon." -Inland Empire Weekly

“The propulsive rock of Bones is covered in Miller's fuzz and the crash of Scott Campbell's cymbals. The duo rolls along on a railroad of blues and stops on a dime. The music is soft while Miller sings his grievances, but then it gets loud and nasty when his steam evaporates…" -LiveNewOrleans.com

"The White Stripes and the Black Keys might be the most visible incarnations of the two-person band, grinding out sinewy, overdriven blues with minimal instrumentation, but Baton Rouge's Bones is by far the dirtiest." -Nashville Scene

"Bones comes off like a sex-crazed pit bull broken free of its leash: focused, furious, and practically unstoppable." -Antigravity Magazine (New Orleans)

It is worth noting that Mike Miller is also a member of Liquidrone, the megaphone-driven art house rock band that, in many ways, spawned the quieter little sister whom we've all come to love and know as The New Orleans Bingo! Show... a group with whom both Miller and Campbell have performed.That being said, please enjoy this classic Liquidrone video for the classy classic, "Harley and a Mail Order Bride." (Keep your eyes peeled for familiar faces and Mike's mighty, mighty air guitar.)


Beat, vitality of blues key to Bryan Lee

On his 2007 album, “Katrina Was Her Name,” Bryan Lee includes an exuberant version of Robert Parker’s already-infectious “Barefootin’.”

The problem, as Lee sees it, is that not enough people — especially young musicians — would have recognized Parker’s name in that last sentence, and that’s why the guitarist recorded the song. (Born and raised in New Orleans, Parker was a top sideman in the Crescent City from 1949 through the 1958, when he started his solo career, which peaked with 1966’s top 10 hit “Barefootin’.”)