Showing posts with label donna's. Show all posts
Showing posts with label donna's. Show all posts

Friday, August 20, 2010

Donna’s Bar & Grill Closes

By Jan Ramsey

The last mainstay of live local music on North Rampart Street has closed its doors.


Donna’s Bar & Grill, which has been the home of brass bands for almost 20 years, is closed forever

Donna's: Home of New Orleans Brass Bands.


“We’re done. We turned in our license,” said Donna Poniatowski, for whom the club was named. “When we went to city hall to turn in the license—which is something you’re required to do—the lady who accepted it even told me, ‘You know, now there won’t be any live music on North Rampart Street.’” Donna’s right to present live music was grandfathered in when the city prohibited new Mayoralty licenses (that allow live music). The other establishment that was grandfathered in was the Funky Butt, which closed prior to Katrina.


Donna and her husband, Charlie Sims, opened Donna’s because of their love for local music. Charlie cooked for crowds of people who loved his red beans and rice and barbecue, and in recent years, Charlie ran the club. Donna has been teaching for several years since Katrina, full-time, at schools in Florida, and commuted to and from New Orleans. She told OffBeat in June that while the club took its usual summer hiatus, she was returning home for good because she’d managed to get a teaching position at the University of New Orleans. “I was on my way to New Orleans to sing the contract, and that’s when the [teaching] cuts were made by our ‘wonderful’ governor,” she said. Charlie, who’s now 75, experienced some serious health problems earlier this year.


But according to Donna, the main reason they decided to shut down the club is because of the condition of the building. “The building is in horrible shape,” she said. “We rent the property and couldn’t see investing thousands of dollars into a building that wasn’t ours. With all the rain we’ve had this year, the roof leaks and the ceiling is about ready to fall in. We just couldn’t see putting money into a building we didn’t own. We’ve had so many problems over the years, and the landlord just wasn’t interested in keeping up the building. So while it was a hard decision to shut down Donna’s, we just decided it was not in our best interests, given Charlie’s health and the condition of the building, which is just getting worse. We just couldn’t find anyone who wanted to take over the business, either. I asked Charlie is he wanted to try to find a new location, but his health problems and the fact that I’m in Florida was too difficult, so we both decided that we’re done,” she said. “We’re going to relax and enjoy each other’s company!”


Interestingly, the Funky Butt, which is owned by the same landlord (Cahn Enterprise), closed for the same reason. Sammie and Shanekah Williams were operating the Funky Butt prior to Katrina, but decided to close the business because the building was “falling apart” and needed a totally new HVAC system, which the landlord would not replace. Just prior to Katrina, the Williamses were trying to relocate the Funky Butt to Frenchmen Street, but Katrina squashed that effort.


After Katrina, another operator attempted to reopen the Funky Butt as a music venue but was prevented from doing so because he could not get the proper licenses to allow live music. The same will now apply to any operator who’d want to reopen Donna’s as a music club. So it appears for now—unless the city steps up to the plate and revamps the zoning on North Rampart Street—that music on the historic street that runs next to Armstrong Park and Congo Square is a thing of the past.


From our standpoint, this appears to be a serious problem for the music scene in New Orleans, and the attempts to re-establish North Rampart as a street that permits and honors local traditional music. We’ve discussed this issue many times online and in the pages of OffBeat, and suggest that the property owners on North Rampart, and in the historic areas of the city need to be held accountable for their neglect of their properties. It may not be unlawful to let the interior of an historic property fall into ruin—as long as the façade appears to be intact; it may not be unlawful to enter into a lease with a tenant who can’t afford to make structural repairs to a building that produces income and supports the city’s cultural health and economy. But both actions seem to us to be morally reprehensible and in fact, ultimately damaging to New Orleans historic nature and to the city’s culture.


It’s still hard to believe that a city like New Orleans, known for its music


Monday, March 23, 2009

NolaFunk Lagniappe

Interview with Reggie Scanlan of The Radiators (Part 2)

Last Tuesday, I posted Part 1 of my interview with Reggie Scanlan, bassist for New Orleans' beloved rock band The Radiators (www.theradiators.org). Among other things, we discussed the roots of New Orleans music; Wild & Free, the CD celebrating the band's 30th anniversary, and the impact and importance of Hurricane Katrina to the New Orleans music scene. We went on to discuss the longevity of the Radiators, why New Orleans musicians are such terrific guest performers, and life on the road.






Dr. John's Prognosis:The blues and rock musician shares stories of his wild past and his concerns for the future.

Mac Rebennack, better known as the musician Dr. John, has been impressing audiences since the 1960s with a stage show deeply rooted in the culture of his native New Orleans. In his heyday, Rebennack would appear on stage in a puff of smoke, decorated in Mardi Gras plumes, bones and amulets, reciting voodoo chants while spreading glitter into the audience. But he is also a highly regarded blues, rock and jazz artist considered a solid songwriter and session musician. In his most recent album, "The City that Care Forgot," he criticizes the government's response to Hurricane Katrina and plays with Eric Clapton, Willie Nelson and Ani Difranco. Rebennack, 68, spoke recently with Kenneth Fletcher about his wild past and concerns about the future




Changing lanes: Workers on pins and needles getting Rock 'n' Bowl's new home ready for Jazz Fest



An oversize Helm paint can and a sign advertising "Dollar and Beauty Supply Store: 100 percent Human Hair, Wigs, African Ceramics" stand outside 8126 Earhart Blvd..

But those businesses are long gone. A mural on the warehouse's South Carrollton Avenue side announces its future purpose: home of a new Mid-City Lanes Rock n' Bowl.

Inside, a bowling alley emerges from a construction site.



Tootin' his own horn at Mayfield's Jazz Playhouse

Tootin' his own horn at Mayfield's Jazz Playhouse

Just considering all of the musical, educational, political, community and business activities that Irvin Mayfield has going on is pretty mind-boggling. The trumpeter adds club owner to that list when he, in partnership with the Royal Sonesta Hotel, opens "Irvin Mayfield's Jazz Playhouse," on Thursday, March 19, 2009. The resume of the New Orleans, Grammy-nominated, jazz mover and shaker also recently grew to include radio talk show host. He can now be heard every Monday on WGSO at 5 p.m. (re-aired on Sundays at 5 p.m.) on his own hour-long program, "The Life and Times of Irvin Mayfield." This week's guest is actor Wendell Pierce.


Big Sam's Funky Nation | 03.07.09 | S.F.

Boom Boom Room :: San Francisco, CA

Big Sam's Funky Nation by Dino Perrucci
From the first notes of the evening, it was clear that all the band asked of the audience was for us to shake our thangs. This was unapologetic party music, designed to help us leave any worries at the door and focus on the more pressing matter of getting down. With Big Sam Williams at the helm, fueling the fire with vocals and huge blasts of trombone, the Funky Nation hit us with their blend of boisterous funk rock.





Billy Delle returns to the WWOZ airwaves


billy

After over a year’s hiatus from the airwaves, the beloved WWOZ DJ Billy Delle will return to the Wednesday night slot he held on WWOZ since the early ’80s.

Over twenty-plus years of broadcasting his Records From The Crypt show - three hours of obscure “scratchy 45’s,” as he called them, of New Orleans rhythm & blues from the ’50s - Delle won legions of fans locally and internationally as a valuable repository of New Orleans music knowledge. The New Orleans native interspersed his playlists with entreaties delivered in a heavy New Orleans accent to “open your windows, open your doors - and let the music flow out into the street,” plus uniquely personal memories and stories about a local music culture gone by.




The New Orleans Moonshiners at Donna's on Rampart Street

Donna's Bar and Grill on Rampart Street is a magical place for brass band jazz in New Orleans. Established fifteen years ago as a venue for brass bands by Donna and Charlie Sims, Donna's is what its owners call "a real joint"—a fair-sized room lit mostly in strands of Christmas lights with a large bar, a small stage and a kitchen in the back where chef-owner Charlie Sims cooks up some great New Orleans and soul-food dishes learned on his many years as a railroad cook on the New Orleans-Chicago line. A coat of paint would only ruin its well-worn interior decorated with large photos of brass bands of days-gone-by.

Mondays are special at Donna's when Charlie brings out a batch of his red beans and rice and barbecue chicken served free during the first break. When Charlie comes out of the back, the place comes alive as the regulars pay homage to the beret-bearing chef, who gladly makes the rounds to talk to familiar faces and new patrons alike. Donna, a long-time science educator, is one of the friendliest people you might ever meet and is a great friend to the many brass bands in the city for her support of their swinging, upbeat music. Donna's is a raucous, entertaining place seven nights a week with a variety of bands playing and dancers dancing.




(Big) Easy on the ear: Legend Allen Toussaint brings the music of New Orleans to the world

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This feels like history,” Allen Toussaint said last month, just before receiving his Lifetime Achievement Grammy Award at an invitation-only ceremony.

The New Orleans rock, funk and R&B legend was referring to his fellow Lifetime Achievement Award recipients. They included Motown vocal greats The Four Tops, jazz piano icon Hanks Jones, 100-year-old classical music composer Elliot Carter and singer Brenda Lee, along with posthumous honorees Gene Autry, Dean Martin and electric guitar innovator Clarence “Leo” Fender.




Terence Blanchard records new album



Grammy-winning jazz trumpeter and composer Terence Blanchard honed his musical gift in his hometown of New Orleans and received music's highest honor for an album about the city's darkest hour — Hurricane Katrina.

But in Blanchard's career spanning nearly three decades, which includes roughly 50 film scores and more than a dozen albums, he never once recorded an album here.

That is until now.



The Radiators - Recommendation of the month

A couple of weeks ago Dan Phillips recommended The Radiators to me. He runs the Home of the Groove blog, which is all about the New Orleans Groove. I had never heard of The Radiators, but I love New Orleans music like Dr. John and The Meters. So I was interested. Then I got a message from Jay Rosenberg of Radz Records, who does publicity (among other things) for The Radiators, telling me I would probably like their latest release, "Wild & Free". Lucky me got sent a copy, and for sure: me like it lots! Now I don't mean this blog to be a platform for advertising, but if it's good, it's good and I will recommend it. And this is. Listening to it first time around I was reminded of The Meters, Willy DeVille, and Los Lobos, but with plenty Southern rocking going on and enough accent on instrumental excursions. I am allowed to post two tracks, so check out "Like Dreamers Do" and "Suck The Head". I found this video of "I Don't Speak Love" on YouTube, where there is lots more Radiators stuff to be found. But for easy access, start here:







Live Reviews: Juice, George Porter Jr., Groovesect, Gravity A and more

George Porter Jr.
All I cared about was that George Porter Jr. was hanging out near the tents, as was Billy Iuso, both of whom were on the bill to play that night. A little while later the sounds and songs of Mardi Gras called me inside where I found New Orleans jammers Juice playing a set with George Porter Jr. on bass, Joe Krown sitting in on keys, and Billy Iuso adding guitar to the mix. There were also some guest percussionists and there was even a conga player in the audience – though I couldn’t tell if it was played by an audience member or an invited musician. With the lines between floor and stage-crowd and musician properly blurred, it quickly became clear that Mardi Gras was upon us and everyone there would lend a hand in letting the good times roll.